The Role of a Stage Manager

The Role of a Stage Manager

Stage director or theater director is responsible in the field of performing arts, mainly theater and opera, as he/she supervises and directs the staging of a play, unifying criteria and conducts varied efforts and the characteristics of production as the sets, the costumes, the special effects, lighting, movements of the actors and sometimes even the choreography when they no longer have a choreographer who deals with them.

The role of the director is to make sure quality and realization of final outcome. The stage director works with the individuals and staff to coordinate the research, props, clothing design, acting, prop, lighting, sound and set design for production. The manager can work with scriptwriter as well while advancing. In the contemporary theater, the director is usually the visionary, taking decisions of artistic and interpretative concepts of the text.

Different directors have occupied different planes of ability and accountability which depend upon the structure as well as view point of the companies. The stage managers use a diversity of the methods and the levels for teamwork.

The principal, in position for himself and for others, is relatively innovative in theater’s history, with the first models in late 18th century, becoming increasingly popular in early twentieth century. Before this, the actors or playwrights used to be responsible for the presentation of the piece, and coordinated efforts. In contrast, although some productions operate without a director, and it is regarded as the vital figure in making of theatrical presentation. Until the staging, with previews before regular hearings, stage director is generally considered the head.

Types of Stage Directors

The location is the way that grows with advancement of theory and theatrical practice. In his/her speech, idioms and mimicry, the director adopts a management style that falls within any of the subsequent categories;

The Dictator

In this management style, the director takes a very strong and dominant role in procedure of making the theater work. The changes, negotiations are almost completely controlled with the actors almost without voice or vote.

The Negotiator

It is a management style where the stage director puts more focus on improvisation and forms of reprocessing and creation, using group’s ideas for production and actors to model a theater work near a democratic style.

The Confronter

In this management style, stage director is in dialogue persistently with cast as well as production team about the creative and interpretative decisions. The director seeks contrasts and evaluates exchange in such situations.

The performing arts are the arts for the study and/or practice of any kind of stage work i.e. form of expression able to register on the scene, the theater, the dance, the music (especially opera, the zarzuela, the musical theater, the cabaret, the music hall, the concerts or recitals, etc.) and, in general, any manifestation of the world of show (show business or showbiz) or carried out in some sort of stage space, usually in the theaters, but also in any architectural or urban space built or occasionally able to perform any kind of live show, as with traveling shows like the circus, the puppet theater, traditional strolling players or the street theater. Other expressions, such as parades, processions of Holy Week and many religious and popular rites and festivals, or carnivals have a clear scenic dimension.

Scenic Space

The performing arts space, apart from notable differences arising from the different concepts of the show have had to change throughout history, it remains unchanged a certain disposition of areas depending on the use that is made of them. This refers to those areas that will house the two essential elements for the show to takes place, the actors and the audience.

Origin and Religious Function

The sacred theater is as old as the theater, and it can be considered the cause of occurrence. Along with the Olympic and other Panhellenic Games, the Greek theater was born as a musical and sacred poetic competitions, as in Rome would be the floral games. Considered the founder of the theater, Thespis, it was to be the first winner of one of these events, the Dionysia in Athens 536 BC. The theater acquired quickly, especially in tragedies, an obvious ritual and spiritual function. It highlighted the purifying function of catharsis as well as the transmission of high moral values and informing viewers what was his role as men and citizens in the polis and cosmos with other men and gods, and invited him to identify with the heroes led by their destiny to a transcendent mission.

The Asian civilizations developed performing arts with deep religious and social senses, including the reproduction and survival of myths which reached the highest importance. The Christian sacred theater, immediate precedent of classical theater European Renaissance and Baroque emerged in the Middle Ages.

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